The logical text it author does not distort no psychological reflection in the previous chapters, only supports some hallucinations which the reader nor if of the account due the game of dramatical situations where he is involved. Everything blows up in an astronomical scale in them buys at auction ends of the drama, is where it succeeds the surreal reality, where the author dives in the fancy where the protagonist is the main one and perhaps the only focus. But what to say of the presence of Anita, what Donato wants to insinuate with presence, independent of psychic philosophical speculation and yes, the incorporeal presence of Anita, as fantasioso specter of the fertile imagination of Eduardo.

The presence considered in the previous chapters denotes a presence of vulgarity and sexual libido in tenra age of the young, that lives in the esplendoroso climate of sexuality and passion. In the esquina, decided Eduardo (resoluto) looks at last time for the window of the attic. In this hour, in hic hour, of the Latin, at the accurate moment, the present instant, the glasses had not confided (to unseal), the face and the face of Anita only appears for Eduardo, after the moved away flowers sees it completely to Eduardo. In the truth it did not have flowers, or any object in the hour where Eduardo sees Anita, already deceased, the author uses these alegorias to give sustenance to the subject, but in the truth Eduardo did not obtain to see nothing in around, for the scare where its mind comes across in relation to the mirage. Anita if presents completely and not only the face and later the body. It goes down until it, fantasiosamente paina it in air, as she is added to the power of the specters to float and its hands were crispadas, is the same that to spareness or to Franz.